Reviews
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The Sound Inside
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Colin Thomas Fresh Sheet Newsletter Segment
When I first saw Jacob Leonard onstage this year, I thought, “There’s one. He’s got it. Watch him.” I’d forgotten that I’d seen Leonard in 2019 — on video, during the early days of Covid — in a Studio 58 production called The Doll’s House Project, in which director Laara Sadiq had cast all her student actors in multiple roles in Ibsen’s classic. Back then, I wrote, “I was particularly taken with Leonard’s Nora, Torvald, and Krogstad.” Krogstad is the blackmailing “villain” of the piece. “Leonard adds self-deprecating humour to Krogstad’s tale of woe,” I said, “lending the character self-awareness, instant three-dimensionality, and an unusual level of likability.”Complexity is Leonard’s strong suit. This year, he appeared in the two-hander The Sound Inside, playing the unstable young writing student Christopher Dunn opposite Kerry Sandomirsky’s creative writing prof, Bella Baird. Leonard caught every nuance of Christopher’s loneliness, threat, humour, intelligence, and confusion. What subtlety. It was a remarkable piece of work.